Blacklist Screenplays 2011 Download
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- This year's top script is Ruin.I read the first and last 15 pages. I can see where its compelling story and characters make dollar signs in the readers' eyes, but it's surprisingly overwritten.
- Robert Grant @swinefever. Screenwriter Critic Script Consultant Author of Writing The Science Fiction Film Literary Editor at London. Joined August 2007.
Each December since 2004, studio executive Franklin Leonard has compiled the best unproduced screenplays of the year, as voted by hundreds of execs, agency guys, and high-level assistants. Titled The Black List, the compendium highlights both established screenwriters and up-and-comers, and has served as a launching pad in the past for projects like Juno, Lars and the Real Girl, and (500) Days of Summer. Last year’s list included Margin Call, Crazy, Stupid, Love, The Hunger Games, and Snow White and the Huntsman.It should be noted that the headline is somewhat misleading — some of these screenplays have already been acquired and are already in development, though according to Leonard none will have entered principal photography by December 31, 2011. Also worth pointing out is that, as in previous years, there have been rumors that some of the participants have been accused of using the Black List to promote their own clients or friends.
Finally, as Leonard reminds us each time, “The Black List is not a ‘best of’ list. It is, at best, a ‘most liked’ list.”Regardless, we can always rely on the Black List to stir up conversation among both industry insiders and outside spectators alike, so without further ado, hit the jump for the complete 2011 list.
Screenwriters are filmmakers. So, in the same way that aspiring architects study buildings, aspiring screenwriters should study, first and foremost, the films themselves. A book like, by Paul Gulino, has beat by beat analysis of well known movies that illustrate, sequencing, plant and payoff and other techniques.That said, there are a number of scripts that beautifully illustrate how screenwriters use the written word to indicate visuals, tone, style, pacing, structure, character, tension and action: words that define the finished movie like the lines of an architect's blueprint.It is also very instructive to look at early drafts of screenplays to discover how the film was changed and revised during production. Sometimes brilliant scripts were made into mediocre movies. Sometimes problematic scripts were solved in the process of shooting and editing.Here is a list of feature scripts that agents, executives, film school professors, and screenwriters themselves often cite as influential and instructive to aspiring screenwriters.Five mainstream Hollywood scripts often cited as perfect in style, structure, content, and execution are. Treasure of The Sierra Madre.
The Sweet Smell of Success. Some Like It Hot. Casablanca. His Girl FridayTaste in indie film is more eccentric and subjective.
But I would list these independent voices as instructive to ALL screenwriters:. Ronnie Rocket (unproduced script by David Lynch. Memento. Mystery Train. Lone Star. The Spanish PrisonerThere are certain celebrity screenwriters who are able to write in such a way that reading the script is an enjoyable and enlightening experience, separate from the experience of watching the film.
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Love them or hate them, it’s instructive to read scripts. Norah EphronSophia CopolaCallie KhouriAllison AndersDiablo CodyHere is the WGA’s list of the with links to read them:(However, you’ll need tomake friends with an agent, manager or film executive to get your hands on copies of the above.)Every year “The Blacklist” is compiled by hundreds of film executives, each of whom contribute the names of up to ten of their favorite unproduced scripts of the year.
Blacklist Screenplays 2011 Download Free
2010’s list can be found:In general, in order to getcopies of screenplays on the net, go to:(Also see answers to the related question: )The key is to look for EARLY DRAFTS OF THE SCREENPLAY, not just the official “shooting script” which is often a simple transcription of the finished film.Even maverick writer-directors working outside the Hollywood system and writers who want to challenge mainstream formulas of three-act-structure, conflict-centered storytelling, and concept-driven subject matter would do well to study these scripts. A screenplay is ultimately a communication tool, like a blueprint, to be given to actors, cinematographers, production designers and editors. Even if you aspire to make movies like Tarkovsky and HATED Lethal Weapon, you can still learn from the way successful screenwriters clearly and competently convey style and cinematic action to their collaborators.As a final note, perhaps the best place to start is to read the screenplays for a couple of your favorite films. Reading them will feel like play rather than work. And there is no faster way to learn the format and tools of the screenwriter's craft.
Chase Gordonsaid.I share your recommendation of Paul Gulino's book and generally agree with your whole post. I just want to add a note about American Beauty. If you get the early draft that includes the murder trial scenes in court, you will see it is definitely an example of a problematic script that was saved in editing.
So I agree with your recommendation to read it, but disagree with your characterization of it being 'perfect in style, structure, content, and execution' and I've never heard it cited as such. Rather I've heard more in the line of debates over how to describe its structure and whether or not it fits into the traditional film structure model.
So I would replace it on the '5 perfect' list with The Godfather (part 1).